- Vista de la instalación
- Seguro Escolar Gratuito (Infórmese) (2011) Metal, esmalte, óxido, letrero de acrílico. 191 x 81 x 58 cm
- Geometría Social (2011) Bloques de concreto, ladrillos de adobe, esteras. 120 x 265 x 193 cm
- Geometría Social (2011) Bloques de concreto, ladrillos de adobe, esteras. 120 x 265 x 193 cm
- The Dead VIII (2011) Técnica mixta. 191 x 138 x 58 cm
- Composition I (2011) Sacos de rafia, soguilla. 400 x 300 cm
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Composition I (2011)
Sacos de rafia, soguilla. 400 x 300 cm
- Vista de la instalación
- Vista de la instalación
- Peldaños (2011) Metal, madera. 59 x 80 x 72 cm
- Tómbola (2011) Metal, rafia, caucho, periódico, envolturas de dulces, caja de fósforos. 118 x 104 x 58 cm
- Tómbola (2011) Metal, rafia, caucho, periódico, envolturas de dulces, caja de fósforos. 118 x 104 x 58 cm 118 x 104 x 58 cm
- Power (2011) Oleo sobre estera. 193 x 133 cm
- Helados OVNI (2011) Oleo sobre estera. 193 x 133 cm
- Artefactos (2011) Oleo sobre estera. 193 x 133 cm
El Porvenir translates into ‘the future’ or ‘the world becoming’ and in Latin America is often used as a word to denote a place, especially amongst deprived areas. It speaks of an expectation or aspiration of a future to come, and carries with it a conjunction of speculations. In the context of a developing country, there seems to be a greater fixation on and longing for the future, as a place where a better quality of living can be achieved.
The exhibition imposes a sense that one is entering a room containing archaeological artefacts which can be seen as the remains of a civilization, urban ruins that describe a particular culture and a desire for new potential – a visual chronicle of Peru’s current state. The works in El Porvenir point to the future rather than the past, and even though they hint at melancholy or mourning, they are in fact a platform, proposing a liberated place awash with new and unexpected blossomings.